Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
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Síða 27
... Pleasure Principle provides an ac- count of the relationship between vision and mastery which is surprisingly similar to that implied by Export's film . This text is usually thought of in terms of its elaboration of the repetition ...
... Pleasure Principle provides an ac- count of the relationship between vision and mastery which is surprisingly similar to that implied by Export's film . This text is usually thought of in terms of its elaboration of the repetition ...
Síða 28
... Pleasure Principle 12 ] ) This passage initially metaphorizes the dream state as a psychical transport : as the replication of a past experience in which the patient is perceptually " put back into the situation " of trauma . We would ...
... Pleasure Principle 12 ] ) This passage initially metaphorizes the dream state as a psychical transport : as the replication of a past experience in which the patient is perceptually " put back into the situation " of trauma . We would ...
Síða 36
... Pleasure Principle , which in the film finds its metaphor in Anna's photography , and which I have called a game of Fort - Da with objects in the field of vision . Freud's essay " The ' Uncanny ' " provides a useful starting point.5 The ...
... Pleasure Principle , which in the film finds its metaphor in Anna's photography , and which I have called a game of Fort - Da with objects in the field of vision . Freud's essay " The ' Uncanny ' " provides a useful starting point.5 The ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York