Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 104
... Kaufman ( who tries to make every film new , thus , original ) , and the other by a horror director , David Cronenberg ( who repeats familiar stories and formulas ) . New wave horror film included literal recycling of films from the ...
... Kaufman ( who tries to make every film new , thus , original ) , and the other by a horror director , David Cronenberg ( who repeats familiar stories and formulas ) . New wave horror film included literal recycling of films from the ...
Síða 106
... Kaufman's film bears a remarkable resemblance to Howard Hawks's His Girl Friday ( 1940 ) : the dialogue is fast - paced and delivered in a soft but staccato screwball fashion . The party scene , for example , is directed at screwball ...
... Kaufman's film bears a remarkable resemblance to Howard Hawks's His Girl Friday ( 1940 ) : the dialogue is fast - paced and delivered in a soft but staccato screwball fashion . The party scene , for example , is directed at screwball ...
Síða 114
... Kaufman borrows from George Romero to introduce a “ living dead " quality into the culmi- nating chase , and from Joe Dante to invest the pod people with a " howling " aura , but the point of the second film is still the undetectible ...
... Kaufman borrows from George Romero to introduce a “ living dead " quality into the culmi- nating chase , and from Joe Dante to invest the pod people with a " howling " aura , but the point of the second film is still the undetectible ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
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