Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 75
... Hitchcock and Bergman ( Rainer ) . Yet its parodic enactment of colorblindness arrived in the year following assertions like those of Walter Benn Michaels , who argued that we should stop thinking of groups in terms of racial identity ...
... Hitchcock and Bergman ( Rainer ) . Yet its parodic enactment of colorblindness arrived in the year following assertions like those of Walter Benn Michaels , who argued that we should stop thinking of groups in terms of racial identity ...
Síða 25
... Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201-1309 . the ...
... Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201-1309 . the ...
Síða 26
... Hitchcock's stalking camera . Whereas Psycho imagines the eye as a sharp , precise instrument which probes into and controls what it sees , Invisible Adversaries denies the eye this mastery , figuring vision instead as a floating ...
... Hitchcock's stalking camera . Whereas Psycho imagines the eye as a sharp , precise instrument which probes into and controls what it sees , Invisible Adversaries denies the eye this mastery , figuring vision instead as a floating ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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