Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 63
... critique of representation for securing the male viewer in a position of mastery over the visual field . But where the feminist critique insists on the manner in which the woman is made into an object for the pleasure of the male gaze ...
... critique of representation for securing the male viewer in a position of mastery over the visual field . But where the feminist critique insists on the manner in which the woman is made into an object for the pleasure of the male gaze ...
Síða 66
... critique of Merleau - Ponty's patriarchal sexual ideol- ogy , see Butler 93 . 3 The twofold investigation of embodied / gendered perception car- ried out in Export's films exemplifies what critic William Spanos calls " the affiliation ...
... critique of Merleau - Ponty's patriarchal sexual ideol- ogy , see Butler 93 . 3 The twofold investigation of embodied / gendered perception car- ried out in Export's films exemplifies what critic William Spanos calls " the affiliation ...
Síða 11
... critique and une pensée autre , double consciousness , the Zapatis- tas's double translation , creolité , transculturation , provincializing Europe , negative critique introduced by African philosophers , etc. , are an already existing ...
... critique and une pensée autre , double consciousness , the Zapatis- tas's double translation , creolité , transculturation , provincializing Europe , negative critique introduced by African philosophers , etc. , are an already existing ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York