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Síða 89
modern break - up and loss , as is conventionally suggested , Gilroy argues that , as far as diasporic Black culture ( in the Americas as well as Europe ) is concerned , the traumatic rupture is embodied by tradition itself .
modern break - up and loss , as is conventionally suggested , Gilroy argues that , as far as diasporic Black culture ( in the Americas as well as Europe ) is concerned , the traumatic rupture is embodied by tradition itself .
Síða 90
that is undermined by his own examination of the permanence of past ( the black voice of exile ) in contemporary black expression . Gilroy's theory of the Black Atlantic reconceptualizes the results of Jones ' research , which are at ...
that is undermined by his own examination of the permanence of past ( the black voice of exile ) in contemporary black expression . Gilroy's theory of the Black Atlantic reconceptualizes the results of Jones ' research , which are at ...
Síða 108
essay , " The Negro Artist and the Racial Mountain " ) and Nicolás Guillén ( in a parallel essay entitled " Cuba , negros , poesía " [ Cuba , Blacks , Poetry ] ) made identical claims about a fundamental differ- ence that black ...
essay , " The Negro Artist and the Racial Mountain " ) and Nicolás Guillén ( in a parallel essay entitled " Cuba , negros , poesía " [ Cuba , Blacks , Poetry ] ) made identical claims about a fundamental differ- ence that black ...
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Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
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