Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 8
... Akerman's parents , like those of Anna , were Polish Holocaust refugees , and " Les Rendevous d'Anna " is not the ... Akerman's films . " Bordering on Fiction , " organized by the Walker Art Center in Minneapolis , centers on Akerman's ...
... Akerman's parents , like those of Anna , were Polish Holocaust refugees , and " Les Rendevous d'Anna " is not the ... Akerman's films . " Bordering on Fiction , " organized by the Walker Art Center in Minneapolis , centers on Akerman's ...
Síða 9
... Akerman understands her vulnerability to the charge of violating the Second Commandment ;. Fig . 2. Room three of Bordering on Fiction : Chantal Akerman's " D'Est " installation by Chantal Akerman . Copyright © 1993/1995 by the Walker ...
... Akerman understands her vulnerability to the charge of violating the Second Commandment ;. Fig . 2. Room three of Bordering on Fiction : Chantal Akerman's " D'Est " installation by Chantal Akerman . Copyright © 1993/1995 by the Walker ...
Síða 11
... Akerman's understanding of the Sec- ond Commandment . Their notion of idolatry as betrayal could be reconciled with Akerman's notion of idolatry as a failure to acknowledge the alterity of the face - to - face encounter ( Halbertal and ...
... Akerman's understanding of the Sec- ond Commandment . Their notion of idolatry as betrayal could be reconciled with Akerman's notion of idolatry as a failure to acknowledge the alterity of the face - to - face encounter ( Halbertal and ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
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