Running the Voodoo Down: The Electric Music of Miles Davis

Framhlið kápu
Hal Leonard, 1. nóv. 2005
(Book). This book reassesses Miles Davis' "electric period" and analyzes its continuing influence on contemporary music. While jazz purists often revile this phase which encompasses the entire second half of his career, from 1967 until his death in 1991 this book takes a new, appreciative look at this music and shows its importance to Davis' career and to jazz as a whole. The author also reveals surprising connections between Davis, Jimi Hendrix and Sly Stone, particularly the ways they fed each other's creativity. This book will stir up the longtime debate about this important music and give Davis' legions of fans refreshing insights into his work.

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Popular Music and Society
Brian Longhurst
Takmarkað sýnishorn - 2007

Um höfundinn (2005)

Jazz trumpeter and composer, Miles Davis was one of the world's finest and most loved musicians and the most consistent jazz trendsetter in that genre's history. Davis rose to prominence in the 1940s as a member of Charlie Parker's band. He formed his own band years later. He introduced audiences around the world to jazz, be-bop, modal playing, free-form explorations, and the use of electronics. During his four-decade career, Davis also incorporated into his music elements of pop, rock, classical, and flamenco. Some of his most acclaimed works include Kind of Blue, Bitches Brew, Miles Ahead, Miles Smiles, Birth of the Cool, and In a Silent Way. The Grammy Award-winning musician died of pneumonia, respiratory failure, and a stroke at the age of 65

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