Blown: or Sketches Among the Ruins of My Mind

Framhlið kápu
Orion, 24. jún. 2013 - 208 síður

In Philip Jose Farmers incredible sequel to The Image of the Beast, Herald Childe continues what started as a murder case - a very gruesome one - but which has now become a struggle against the strange and deadly beings who have taken his wife, who threaten his manhood and threaten mankind itself.

His seems a hopeless quest. He is fighting not people but inhuman, unhuman monster from another universe. They take grotesque physical forms, they indulge cruel whims, and they are sex-mad.

There is Vivienne, amazingly beautiful, who used to be Joan of Arc. But she has false teeth and she comes literally to pieces. Her lover is a snake-like horror whose needle teeth drip aphrodisiac venom. There is Count Igescu, a real live vampire. And these three are surrounded by a grisly crowd of bizarre aliens, characters in a science fiction nightmare. But for Childe there is to be no waking up: though no one else will believe him, he knows this is for real...

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Um höfundinn (2013)

Philip José Farmer (1918 - 2009)
Philip José Farmer was born in Indiana in 1918. Although he once said he resolved to become a writer in the fourth grade, it wasn't until 1952 that his first SF was published - the novella 'The Lovers', which won him the Hugo Award for Most Promising New Author. Although best known for his Riverworld sequence, beginning with the Hugo Award-winning To Your Scattered Bodies Go, Farmer also pioneered the use of sexual and religious themes in SF and wrote several novels reworking the lore of celebrated pulp heroes such as Tarzan and Doc Savage. He also wrote the tongue-in-cheek Venus on the Half-Shell using the pseudonym 'Kilgore Trout', a character who appeared in several Kurt Vonnegut novels. Philip José Farmer won three Hugos, a World Fantasy Award for Life Achievement and the Damon Knight Memorial Grand Master Award. He died in 2009.

For more information see http://sf-encyclopedia.com/entry/farmer_philip_jose

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