Structural Functions of HarmonyW. W. Norton & Company, 1969 - 203 síður The earlier chapters recapitulate in condensed form the principles laid down in his Theory of Harmony; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of "monotonality," showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality. Schoenberg's argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger, and Schoenberg's own early music. The final chapter, "Apollonian Evaluation of a Dionysian Epoch," discusses the music of our time, with particular reference to the possibility of new methods of harmonic analysis. Structural Functions of Harmony is a standard work on its subject and provides an invaluable key to the development of musical structure during the last two hundred and fifty years. This new edition, with corrections, a new preface, and an index of subject headings, has been prepared under the editorial supervision of Leonard Stein. |
Efni
STRUCTURAL FUNCTIONS OF HARMONY | 1 |
The Chord of the Cadence | 14 |
REGIONS IN MINOR | 30 |
INTERCHANGEABILITY OF MAJOR AND MINOR | 51 |
INDIRECT BUT CLOSE RELATIONS MEDIANT | 57 |
Remotely Related Intermediate Regions | 65 |
EXTENDED TONALITY EXAMPLES FROM MUSICAL | 73 |
PROGRESSIONS FOR VARIOUS COMPOSITIONAL PUR | 114 |
Contrasting Middle Section | 120 |
Variation of the Sequence | 134 |
Durchführung Elaboration | 145 |
Roving Harmony | 158 |
The SoCalled Free Forms | 165 |
APOLLONIAN EVALUATION OF A DIONYSIAN EPOCH | 192 |
199 | |
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Common terms and phrases
1st movement 6-chord Adagio analysis Arnold Schoenberg artificial dominant ascending augmented triads bass Beethoven Brahms bsmSM Chapter chromatic circle of fifths composers composition contrasting middle section degree derived descending diminished 7th chord diminished seventh chord dissonances Dorian Durchführung enharmonic evaluation examples F major Fantasy fifth flat mediant flat submediant FUNCTIONS OF HARMONY G minor half cadence Harmonielehre introduction leading tones major and minor major triad mediant mediant major melody minor region MODEL modulation modulatory Mozart Neap Neapolitan sixth ninth chords part-leading pedal Piano Quintet Prelude remote regions repetition Rhapsody root progressions roving harmony scale Schubert SDSM segment sequence SMsm String Quartet structural functions subdominant subdominant minor submediant submediant major subordinate theme substitute tones subT Superstrong progressions Symphony tonic minor tonic region transformations V-VI vagrant harmonies variations VIII دو